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In the islands of the West Indies, there are certain plants that
produce seed pods called cha-cha. These pods are used to make
a small rattle known as the cha-cha sound. Cha-cha is
a Cuban dance that evolved from the mambo. At first, during the popularity
of the mambo, many dancers did not care for it because they acknowledged
the cha-cha to go against the natural rhythm of the music.
In particular, many ballroom dancers critiziced the fast mambos for
having the acrobatic character of the jitterbug rather than the smooth
movements usually associated with Latin Dance.
In 1953 the Cuban orchestra América started playing the time
honored danzón with a new syncopated beat. It sounded like
a very slow mambo, and Cuban dancers used a slight triple hip movement
on the slow count. Gradually it changed to a triple step on the slow
count. Eventually the dance was introduced to North America and rose
to great popularity in the mid 1950s. By 1959, dance studios reported
it to be their most popular dance.
Although the basic pattern is uncomplicated, the dance is varied
by turns, change of direction, and improvised steps. Most ballroom
dancers are much more comfortable with cha-cha rhythm than
with mambo rhythm, and it lends itself easily to many variations from
the basic steps. Today, twenty-five years after its creation, the
cha-cha remains the most popular Latin dance in North America
and Europe.

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Merengue is a very popular vocal and dance style which originated
from the Dominican Republic. It developed in the early 19th century
and is related to the meringue of Haiti. Since then, Merengue
was modified into a "fun", casual latin dance style and
one that is rather straightforward and simple. The basic characteristics
of the dance consists of a controlled cuban motion (sway of the hips
from side to side) and a side-together-side step. As in the case of
all Latin American dances, the native version is fast and agitated.
Merengue is found in both folk music, using accordion, double-headed
tambora drum, and metal guayo scraper, and in various
popular orchestral formats. Although it was introduced in North America
about 1950 it did not become well known in the New York area until
a few years later. Important performers and bandleaders include Angel
Viloria, Johnny Ventura, and Juan Luis Guerra.
Benefits: hip motion, allows concentration of lead and follow

          
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Salsa (Spanish for "hot sauce") is a style of popular
music that emerged from New York City's Hispanic community during
the mid-1970s, resulting from a musical evolution of various types
of latin rhythms. It developed from a blend of Afro-Cuban and Puerto
Rican music with rock and jazz. Its roots are in the Latin dance music
of the 1940s--which used trumpets, flutes, and voices--and the dance
rhythms of the 1950s that have had varying degrees of popularity since
then--the rhumba, mambo, and chacha. The electric guitar, along with
electronic techniques, has been added from rock, along with the instrumentation
and improvisational skills of jazz.
Because of the social and political restrictions and pressures enforced
in Cuba and Puerto Rico, many people emigrated and fled into exile to
New York, Miami, and many different cities of the USA. It was these
and rhythm enthousiasts who grew up in Spanish Harlem of New York that
created this new rave along with other musicians in the Caribbean. Salsa
musicians include performers such as Cuban singer Celia Cruz and bandleader
Tito Puente, whose careers predate
salsa, as well as younger musicians including bandleader Eddie
Palmieri, trombonist Willie Colon, flute player Johnny Pacheco, and
percussionist Ray Barretto. Together with Victor Paz, Bobby Valentin,
Larry Harlow, Hector Lavoe, Ismael Rivera, and one must not forget Cheo
Feliciano whose contribution along with the rest of these performers
formed what was called THE FANIA ALL STARS. This was the name
given to the first group of artist whose first performance was in 1973
at Yankee Stadium in New York.
'FANIA', back then a small record label, was the main
contributor to the boom of the "Latin sound of New York"
Salsa has spread to Hispanic communities throughout the United
States. It has influenced both rock and jazz, and the Latin rhythms
and percussion instruments can now be heard throughout rock and dance
music. However, salsa is still primarily sung in Spanish, and
very few performers have crossed over to reach the same kind of success
singing in English.

          
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The waltz is the oldest of all ballroom dances. It is believed to
have originated in the 17th century in Austria and Bavaria where peasants
had been dancing the Landler and other Weller (turning) folk dances.
These traditional expressions influenced the French contredance, of
English folk origins, and gave birth to a dance named the Allemande.
At the end of the following century , the rapid motion of the Allemande,
the elegant postures of the French Minuet and Traditional Weller music
combined in Vienna into the dance we know today as the Viennese Waltz.
It quickly became popular as it was the first dance with a closed
position hold danced in contact. Some conservatives frowned upon this
fact and church leaders deemed it immoral.
As waltz music was then very fast, some dancers modified the Viennese
triple step into a two-step pattern that was easier to dance and eventually
gave birth to the Fox-trot. Some musicians, on the contrary slowed
down the music to accommodate the dancers, and originated the Boston
which in turn became the Slow Waltz.
Both Viennese and Slow Waltz are characterised by elegant posture,
turning steps and rise and fall motion. The total effort is dreamy
and romantic.
Waltz, the grand old lady of ballroom dances is more than 300 years
old but as popular and easy to learn as ever.

          
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The Fox Trot, recognized as the first American dance which dates
back to 1914, was named after Mr. Harry Fox, a well-known musical
comedy star. In its first form of existance the Fox Trot was labelled
as an "animal dance" due to body movements that resembled
certain animals, i.e. Kangaroo Hop and Bunny Hug. The dance was later
modified by professional dancers to reflect a graceful image by means
of flowing steps.
In Fox Trot, the steps can easily be adapted to various rhythms which
allows a sence of freedom to the dancers. It is danced around the
floor counterclockwise and its beauty depends mainly on the long gliding
steps required within a smooth but controlled motion carried out from
the hips down.
Benefits: developes timing & rhythm, posture, fluidity

          
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Rumba, which existed in Cuba for over a hundred years evolves from
an Afro-Cuban influence and was first recognized in 1913. Originally
it involved "violent movements of the hips, shoulders, and torso"
and was considered the "good times dance of the peasants".
The dance was modified from its "fast-throbbing image" to
a slower and more refined version entitled "son". The son
was a styling created for the middle class society of Cuba. By the
time the dance was accepted by the elite society in Cuba, it became
an even slower version of the son and was called "danzon".
In Rumba, the most common musical instruments are the drums, the
maracus and the claves. Characteristics of Rumba include "Cuban
motion", a strong visual contact amongst the partners in a flirtatious
manner and a slow-controlled weight change between steps.
The dance is known for its sensual and well-defined hip movement.
In Rumba, it is the woman who is shown off and therefore, she becomes
the center of attention.
Benefits: - balance, controlled hip motion, sensuality, grace

          
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The Mambo, a dance first recognized in Cuba originated from the music
created by cuban band-leader Perez
Prado in 1943. It was a music style that combined the sounds of
jazz to Cuban rhythm and created a "jazzed" sound. As a result,
the dance was developed with a hold step, and gained much popularity
in the 1950's. Mambo was recognized as a "jazzed up" version
of the Cuban Rumba and is similar to Cha Cha. In fact, it is the Mambo
that led to the development of Cha Cha.
An interesting theory exists for the name of the dance which originated
in Haiti. Mambo refers to a voodoo princess who practiced rituals
of dancing to voodoo music.
Benefits: - musicality

          
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Tango was developed in Spain in the beginning of the 18 hundreds
and was very different from today's tango. During the 19th century
the tango was recognized as a single partner dance and performed by
a woman. Later it became a dance for couples and incorporated the
use of castanets.
Buenos Aires, Argentina is known to be the place where ballroom tango
developed back in the 1800 hundreds where it was considered to be
the "dance with a stop". In 1912, Tango become very popular
in England however in Spain it remained a "flirting" dance
with little respect.
Tango is a stacato dance known for being very dramatic. The close
contact of the dance required a unique hold. One of the impacts of
the dance is based on the emphasis of a long pause after each hold
within the slow counts.
Benefits: discipline, balance & control, character and posture

          
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Samba, a lively and very bouncy dance style originating from Rio
Brazil. During carnival times, the brazillian people engaged in parades
and danced on the streets to party-style music rhythms. It is commonly
said that Samba dancing was influenced by alcohol. Drunken brazillian
street dancers were rumored to have given the dance its bouncy style
which in turn developed a craze for this dance. The speed of their
lively music required quick steps with lots of bouncing and swaying
of the hips.
Samba was adapted as a ballroom style in 1917. It is one of the most
challenging ballroom styles due to its speed yet it is very enjoyable
and entertaining. The characteristics of the dance include a unique
pendulum motion in which the body sways in the opposite direction
of the feet. Another common element is the feet always leaving the
floor along with quick "cuts" required in this dance.
Benefits: boiancy, flexibility, isolation of body parts

          
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The hustle was first introduced in the early 70's. It is danced to
disco music and consists of contact with a partner. Essentially, it
was recognized as the dance that brought back "touch dancing"
and influenced young dancers into ballroom styles.
Characteristics of the dance include continuous arm linking between
changes in movements, a tap step and a constant coming together and
separation for the partner between each variation.
Benefits:

          
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The Swing is a lively dance with an energetic style which was first
developed in the 1930's. It is a dance style credited to band leader
Benny Goodman's Chicago mixed with New York Jazz music. There are
three popular variations of swing: Single Lindy, Double Lindy and
Triple Lindy. Although each one has a different combination of steps
within the basic movement, they all share the common structure of
Swing. Many recognize swing as the dance style with acrobatic movements
and a relaxed posture in relation to other social dances. The swing
also has a unique hand-hold position at the waist level.
In the "Rock and Roll 50's", when the jukebox era was the
in craze, the younger generation started to dance a modified, toned-down
image of the acrobatic swing and referred to it as Jive. In jive,
the acrobatic elements of the dance had been removed and the dance
style had been modified for all to participate. Similar to swing,
jive had three popular forms which included: single, double and triple.
Over the years, it is the triple version of jive that has remained
most popular and defines the title "jive". The most common
elements of jive are found in its basic steps of dance through the
shuffle to each side and a rock step combination.

          
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